October Maker of the Month: Lou Nade
1 min read

October Maker of the Month: Lou Nade

Lou Nade portrait with a selection of weavings using Raffia from Ora Fabulous Fibres

Meet the Maker

Q: “Designer”, “artist”, “maker”: which feels most like you, and how does your design training show up in your work?

A: I’ve been all of those things over many many years. A painting major at the National Art School, before studying graphics and illustration to then work as a children’s product designer. I bring knowledge from all of these experiences to my work today. However, I feel the biggest impact on my chosen materials is knowing the hundreds of plastic games, toys and and do-dads I’ve been responsible for are probably now sitting in landfill or poisoning the ocean. I do my utmost to not purchase anything new, so naturally this involves my creative work too.

Organic forms created by Little Lou

Q: You now live on the Sapphire Coast. How has that landscape changed what you make or how you work?

A: I have more time for myself here on the Sapphire Coast, and this has spurred on more work which I am so happy about. I have access to different materials as well, including debris from the local fishing industry, which I now use to weave into my works. Having moved from a Sydney city apartment to a house with a garden, I only need to walk out my front door to find a myriad of readily available plant fibres. I’m so lucky!

Q: Your work uses both foraged natural materials and reclaimed waste. How do you find and choose what goes into a piece?

A: I’m always keeping an eye out for what I can save from heading to landfill, either through local swap pages, the op shop or by the side of the road. I usually work with a specific colour palette in mind and mix materials in a way that works with a strong colour presence.

Woven basket by Louise Nade Using Ora Raffia

Q: You've combined raffia with foraged materials. How do you decide when to pair a bought fibre with something from the garden or bush? What is raffia like to work with compared with foraged materials?

A: The Raffia from Ora Fabulous Fibres is such a strong fibre, it’s trustworthy! I know that it will withstand a lot of stresses and generally ‘do as I ask it to’. Not many fibres or reused resources behave as well. That’s why I use if for the important binding and stitching parts of a work. It also works really well with other reclaimed materials including rubber, fabric and rope. You have so many beautiful colours in the ORA range, that I know I can always bind and weave with a perfect colour match or contrast.

Ora Fabulous Fibres Raffia used in a weaving in progress

Q: Talk us through a piece from first idea to finished work. Do you plan it, or let the materials lead?

A: I always start out by playing with new and different fibres, feeling how they sit in my hand, bend and pull them to explore their flexibility and strength before coming up with an idea. Of course, it rarely goes to plan and it’s important to be flexible and open to a work as often it may head into another direction completely. Such is the way with organic fibres or resources that have had a previous life.

Detail of a weaving using twigs and Raffia from Ora Fabulous Fibres

Q: Slow stitching and weaving take time. What does a typical making day look like, and what does that slowness give you?

A: A typical making day is every day and always starts with a trip to the beach to clean away any rubbish or marine debris that has been washed in or dropped overnight. I love the methodical, rhythmic aspect of weaving and slow stitching. I find it incredibly calming and meditative. It was especially important when I was living the frenetic life in Sydney. Now I’m lucky enough to work with the soundtrack of bell birds, lyrebirds, ocean waves and wind through the trees. I love to watch a work grow over time, but I also wish I could work more quickly as I have so many ideas. I always have a few projects on the go, some are smaller than others and some are huge!

Detail of a woven work by Lou Nade

Q: Much of your work gives discarded things a second life. What do you hope people think or feel when they see waste turned into something beautiful?

A: I love to share my work with others, and I love to watch and hear their reaction when they discover what I have used in each of my sculptures. It’s important that my work provokes inspiration and ideas about how we can rethink resources, and offer new ways of using materials. Society moves so quickly and uses far too many ‘throw away’ items. Think about fast fashion, single use plastics, outdated technology, all considered ‘waste’ and headed for landfill. Some of my best works have once been considered ‘landfill’ and are now in private collections. This brings me so much joy.

Q: You teach workshops as well as exhibiting. What do you love about teaching, and what do students most often discover about themselves?

A: I love to be able to share weaving with others. It offers a calming and creative outlet that requires very little monetary outlay. It’s something that is easy to pick up and put down, free of mess, you can weave absolutely anywhere. Participants really enjoy the opportunity to spend time away doing something different, while their focus is taken away from rushing about or getting through their to do list. They also surprise themselves with what they can create, and I love to see how proud they are once they finish the workshop having acquired a new skill, or made something unique.

Detail of a woven work with Raffia by Lou Nade

Q: What would you say to someone who believes they "aren't creative”?

A: Oh goodness! Everyone is creative, some people have just forgotten that! Life often gets in the way and people find they can’t justify the time to spend with their creativity. When I begin a workshop, I like to put everyone at ease by showing a photo of my very first weaving. Many giggles are had, and I can assure you, everyone leaves with a much better looking piece than I did all those years ago.

Two of Louise Nades organic woven forms using Raffia from Ora Fabulous Fibres

Q: What are you working on now, and where can people see your work or join a workshop next?

A: I have two very large slow stitch pieces I’m working on which will likely take a couple of years to complete, crazy I know. I’m also working on several series with smaller woven pieces which will be at Sculpture Bermagui in March next year, and in ‘Earth Matters’ at the Northern Beaches Gallery in May also next year. Currently my next workshop will be with Sculpture Bermagui.